Grammar Points: Present Tense
What, you were expecting some lovey-dovey treatise on Valentine’s Day? Perish the thought.
Those who have gotten comments from me probably think I hate the present tense in narrative writing. I swear I don’t. Writing in the present can be very effective, if and when it’s used correctly. Simply, I respect its power.
Any reading experience involves a certain amount of suspension of disbelief, that feeling of the story being more real than just words on the page. Errors, whether typo, grammatical, or continuity, detract from this, serving as reminders that the story isn’t real but the wordcraft of some human, fallible writer.
Stories in the past tense feel like you’re given access to a chronicle of events that took place. Writing in the present tense gives a greater sense of being in the story by being in the moment. Done correctly this actually heightens the suspension of disbelief, bringing the reader acutely into the flow of events. However, and herein lies the danger, errors in verb tense once you’ve established the present as reality completely break the spell. The fall out of the narrative is thus a farther tumble and more pointedly felt.
By all means, write that story in the present tense if you like. Realize though that there’s good reason why most books, almost all the classics really are written in the past tense(and please, chime in if you know a literary great written in present tense, cause we’re all about edification and worldview expansion here at ficly). The tense is simply less forgiving. If you’re going to do it, you have to get it right and stick to it.
Happy ficlying, and good luck, whatever tense you choose.
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