Listen here, my good ficliteer at the words you’re about to hear. HaHa my omage to a really good…should I say poem…? Well, whatever the label it was very catchy and the rhyme cadence was addictive and fluid. Agreat way to burst back onto the scene 32!
Cadence is right, the rhythm is solid, but the commas meant to enforce it actually do more to distract. Let the cadence of the verse stand on its own, or if not that, I’d break it up into two lines. The commas feel unnecessary when their whole purpose is for rhythm.
Don’t listen down, you may not hear, a hummingbird whirring, around Main & 3rd. That sorta thing is what I’m talking about. There are two awkward commas after “hear” and “whirring.” If it seems to wonky to delete them outright I’d revise the line itself so the words can do the job alone.
This is all meant to be constructive, because talking about conventions is easier than talking about content. Hope you find it helpful.
As for content, it’s encouraging. There’s some nice wordplay and repetition. I think (back to punctuation) it’d be cool if every line was clearly defined with a colon, e.g.:
Reaver19 
32 ^2 
Stovohobo