The dialogue’s juuusssttt clunky enough to read like a cliche spy/action novel, but snappy enough to make it funny.
The descriptive work, as little as there is, is gold. The “perfectly even coating of dirt and sweat” literally made me laugh out loud. I don’t know if I’ve ever even heard the word “raffishly” before, but I knew exactly what it meant when I read it, which is very impressive stuff. Also, the foreign names are classic super-genius.
The only real issue I have is with the very end. I’m just not feeling the action of the tackle. To my eyes, it feels like it should be setting up a big action sequence, but instead it’s ending a dialogue sequence. Perhaps just end it with the tackle, or a gunshot? This story could definitely afford to be without a traditional ending, so see how you feel about it.
Yeah that’s fair YaYa, I’ll fix the ending in a few minutes. When I’m writing these I need to develop a better feel for how close the length cutoff is getting so I’m not all “Oh whoops this will arbitrarily have to be the last sentence.”
Also, for the record, I try and write what comes to me and if it ends up over the limit I go back and cut. It can make your middle stuff look a little slapdash, but you get to keep the ending you want instead of truncating the story.